6/24/2008

About the lengths and fullness of curtain


How to decide the best length of curtain is never an easy task.

About lengthsThere are four acceptable lengths for hanging curtains. Evan so, full length curtains are more frequently use because they improve the size and shape of most windows and rooms. Curtains that hang from the top of the window always look better floor length than any other. Café curtain are the exception here, but then they are really half curtains, which mainly hang from well below the top of the window anyways.

Sill lengthThese are made to hang from the top of the track t just clear the sill by about 1/2 inch, curtains should not touch the sill or they will soil and need laundering too often. Sill length is the inevitable length for curtains that have to be hung from inside the reveal such as dormer window styles and some café curtain styles.

Apron lengthThe usual length for these is from 2 inches to 6 inches below the sill, depending on the depth of the apron, the wooden board that runs across and under the sill. This length excludes draughts more effectively than sill length. It is correct only for curtains hung from the top of the window and quite wrong fro those hung inside the reveal.Skirting board lengthThis hangs to the top of the skirting board and its probably the ugliest length ever thought of. Its only reason for existing is that it is practical because the curtains hang free of brooms and cleaners, and are less likely to soil very easily. In spite of this, from an aesthetic point of view, it is not worth considering. It looks so indecisive.Floor lengthThese curtains hang to within 1 inch of the floor or carpet. If carpet is to be laid at a later date, take measurement to within 1-1/2 inches of the floor.Curtain which end somewhere between the apron and the skirting board are the most common mark of the amateur. It looks mean and is neither one thing nor the other, and should be avoid like the plague by anyone who is particular about effect.

About fullnessFor curtains to look good, as well as correct, they should have plenty of fullness. The curtains should undulate in well-controlled folds across the window, not just wide enough to cover the window in flat sheets. So don’t skimp on fabric. It is wiser to buy meters and meters of a reasonably priced fabric rather than not enough of a high priced one.How much fullness depends on the type of fabric you use and the style of heading you choose for the top of the curtains. The lighter and finer the fabric, the more fabric you will need. For sheer and lightweight fabrics you will need three times the width measurement of the track for adequate fullness. For medium weight and heavier weaves, twice the track length will be enough, but for very heavy fabrics such as velvet and corduroys, perhaps half the track length again will be all you need.You will find it easier still to gauge adequate fullness by deciding to use one of the fantastic ranges of heading tapes, which will give you the heading style you want. These tapes are designed and worked out with precision to produce perfectly spaced pleats. Beautifully presented pamphlets regarding these tapes can be had free from ship counter dealing with curtain fittings. These pamphlets give recommended allowances for particular styles and have detailed charts with measurements worked out exactly, so that all you have to do is to look up your track width on the chart to find out how much tape you will need and also the number of fabric widths required for that window. This is also a great help in working out the amount of fabric to buy.

Get the right length and fullness of curtain for your windows make them another focus point of your rooms.



History and facts of cushions


Cushions have a very noble history. The earliest records of this ancient piece of furniture can be found in old inventories of great palaces and manor houses of the early Middle Ages. At that time, the covering was usually of leather, they were mostly of immense sizes, firmly padded and used as seats. Their use as such was retained even after chairs became commonplace. Chairs prior to this period were of noble importance, lesser mortals than feudal lords sat on cushions, which also designated rank in the courts. Later, cushions were used to make hard wooden chairs, benches and stools more comfortable. Even as late as the 17th and 18th centuries in France and Spain, we glean from historical memoirs that they were still used as seats. In fact in the Spanish court, you were an honored person indeed, if you were allowed to sit on a cushion, while France, the prerogative to kneel on a cushion behind the king in church was a mark of status, firmly held by the privileged and rigidly controlled by those in authority.


The cushion even today has not lost much of its noble heritage, because no substitute has yet been invented to take its place at Royal weddings, coronations and other regal functions. Today, cushions should be expected to play two roles simultaneously, they should fit into your room scheme as a decorative accessory as well as give comfort in use. A comfortable cushion, which is ugly, may be physically acceptable, but it is of no use whatever if it causes you aesthetic discomfort.Cushions, like all soft furnishings, can be classic and stylish or frivolous and just plain fun. Almost any fabrics can be used for cushions, from rich brocades to humble Hessian. Closely woven and crease-resisting fabrics are best. Consider also their laundering and washing qualities.

Cushion covers must stand up to much handling, therefore sturdy, good quality fabrics will ensure durability. This is a realistic attitude to take and it is wise economy to use the best fabric you can afford because if you are going to spend valuable time making them yourself, you don’t want them to fall apart sooner than expected from normal use. Cushions can be of any size and shape and trimmed in a variety of ways. You could use bought trimmings like braids, fringes and tassels or you could trim and hand made trimmings such as frills and self fringes and piping. English and Italian quilting ( Trapunto), patchwork and appliqué are other interesting ways by which to make attractive and exclusive looking cushions.


If no special edge finish is planned for the cushion, they should nevertheless be finished with a self-piping in a fabric of similar weight and thickness. Piped seams are considered very professional; cushions do certainly look much better with piping than without.


Although cushions are made in a variety of shapes, there are only 2 basic types of cushions: the Plain edged cushion, which is sometimes referred as Knife edges, and has a back and front only; and the Boxed cushion, also known as a Walled cushion, which has a wall or boxing striped between the front ( top ) and back ( bottom ) pieces. A boxed cushion always looks larger than a plain edged one of exactly the same size; so keep this in mind when you are planning specific size.

6/07/2008

The purposes and functions of curtains



Curtain is almost the first thing one would notice on entering a room. They are also the first soft furnishing project to attempt in a home. Curtains can be put to many purposes, both decorative and practical. They are used to insulate a room, to give privacy and to control light and glare. They are not meant to act as sunshades. Use window blinds inside or awnings outside to counteract the potential ravages of sunlight. All rooms need finishing touches, we find these in accessories such as lovely lamps, cushions and beautiful pictures on the walls, but it is curtains that complete a room's décor. If you imagine a beautifully appointed room without curtains, you will soon notice the resultant discord and lack of unity, the feeling of emptiness, in spite of lovely decorative touches, makes your realize that the room is incomplete without curtains. There are rare occasions when it would be impractical to hang curtains, such as over laundry tubs and kitchen sinks. In such, use a colorful window shade.


Not many rooms are simple and straightforward. Every room has its own needs and deficiencies, which must be reckoned with before you plan curtains for specific windows. Quite often you will find that the window themselves are part of the problem.


First, consider the purpose and function expected of the curtains, then decide how best they can be used to enhance the room. Are they for a bedroom where afternoon naps and Sunday morning sleep-ins are routine? Curtain which cut out all daylight will be needed here. Is the room sunless and bleak? If so, light weight sheers or Terylene curtains will allow as much light in as possible and give daytime privacy at the same time. If unlimited light is needed, hang curtains on tracks, which extend beyond the width of the windows on each side, so that when the curtains are drawn open to their fullest extent, they will expose all the glass area of the windows and only cover the wall area on each side of the windows. This is also a good idea if your want to create an appearance of width on narrow window, or to preserve a lovely view without blocking most of it off at the sides, which is what would happen if curtains were hung in the usual way, i.e. sides in line with the width of the window.


Curtain can change the apparent size of the room. If you want a feeling of more space in a small room, hang curtains in the same tones as the walls. This does not necessarily mean that they should be of the same color as the walls; they may be complementary colors if you wish, but the degree of color intensity should be the same. However, if the curtains and walls were of the same color and tone, the feeling of space would be intensified, and this to could be very dull. It would be more interesting to have patterned curtains with colors that match the wall color in general tones; the pattern should be small to encourage the feeling of spaciousness. It is also a fact that lightweight fabrics help create a feeling of spaciousness more so that heavier fabrics.


If the room is large and you want to reduce the feeling of size, hang curtains o heavier fabric and in strong colors that contrast in depth with those of the walls. If using patterned fabric, choose large and definite motifs. Repeating the same fabric in loose covers or bedcovers will knit the scheme together and create a coziness lacking in a large room. Badly proportioned and indifferently placed windows can be found as often in new houses as in older ones. Problem windows are a fact of life. There is one in nearly every house. This is an occasional cross we have to bear, so treat it as a challenge. You will be the winner in the end, just wait and see.


Curtains also help the acoustics of a room; they act as a buffer against sound and noise in the same way as carpets do. Ever noticed how different a room sounds when you remove curtains for cleaning.


Apart from all the physical reasons for having curtains, there is also the all-important psychological one, which should not be too lightly dismissed. Of course why have curtains if you live on the eighteenth floor of an apartment building, where privacy is no problem and the view is endless and unimpaired by other buildings? You are one in a million, and won’t need curtains if you can stand black patches of nothing on your walls every night without feeling the least bit uneasy. For most of us, it takes more than a stout heart to brave the intimidating emptiness of night pouring in around us. Even with a stout and stoic heart, and excluding witches and such, does anyone really like living with nocturnal black? Who, under these circumstances, would want to do without curtains, when, with just a flick of wrist, you can shut out gloom and bring in comfort and peace where a moment before there was cheerless threatening night? Even though you may only draw your curtains closed at night, you will still want the windows to look co-ordinate from the street in the daytime. Nothing jars the senses as much as a hodge-podge of different colors seen from outside the house. Because curtains are not meant to be use as sunshades, you should either have blinds or, if it is only for privacy you want, have sheer curtains in a neutral shade that is common to the color scheme in each room. This allows you freedom to create each room scheme individually, so that you can have different main curtains at each window. This way you won’t have monotony inside the house while retaining uniformity outside which is really quite important. Uniformity outside may sound dull in theory but in reality it creates a happier mood than would a variety of different colors seen from the street. For this reason also, line all your main curtains in the same shade of lining, just in case you do have to draw them closed in the daytime or do not have blinds. Not to have blinds is an unwise decision to make in our hot sunny climate.


Rethink your walls with creativities



Walls are more than just backdrops for furniture and accessories. Though you may never have thought of them as such, walls are decorating elements that can showcase your creativity as effectively as the furnishing you choose. Inventive wall treatments also can improve a room’s function by providing much-needed storage, or by reshaping space into a more convenient arrangement.
Approach your wall treatments in a more ingenious way instead of a purely decorative element and adapt it to your own particular situation.


Glass brick as backdrop



Use glass bricks as backdrop or room divider provides a glamorous feel for what is otherwise an understated room. Though the bricks are square, you can try shaping them into a sinuous partition that pulls light into a room and adds unusual textual interest. This can be an added interior element and can also be used effectively to construct to replace window or even other walls.




Create storage in disguise


Organizing your storable may sometimes seem like a losing battle, but even the most overwhelming clutter can be contained if you plan carefully on your storage. It can be functional as well as stylish. Consider to build wall system on a handsome fireplace wall not only provides a wealth of storage spaces in a neat manner. Books and collectibles can arrange to be display on open shelving while television, stereo and wine cellar can tucked away behind doors when not in use. Hence, build your wall system according to your need to serve as a bookcase, display cabinet, entertainment center, an office or a bar.



Put your storage on display


Storage shelves needn’t look pedestrian simply because they are functional. Custom cabinets and shelves to meet the diversity of storage needs while creating an attractive focal point.
To display your collectibles, try adjustable shelves with mirror back panels can perform decorative slight-of-hand to lend depth to the display area. For added sparkle, use downlights to highlight the display.
When planning custom storage units, make certain the design is compatible with the rest of the décor. Certain design ingredients integrated into the wall system are repeated in the furnishing. The addition of molding or trim, for instance, can give a utilitarian storage unit an architectural look and meld it with the overall design scheme.


Play tricks with wall columns


If you have some free standing columns, make use of them to turn it into a distinctive feature in your room. Build open shelves in between columns and then install fluorescent light tubes behind the columns. The hidden lighting not only spotlights the shelves, but also lends a dimension of depth to this space. In fact, the light also gives the room its sparkle and excitement. The wash of light on the shelves and wall seems to push the wall back and expand the room dimensions.



Line a wall with books


Aside from the obvious pleasure they bring to reader, books also offer decorative appeal. In your library or den, book collections can be housed in a floor-to-ceiling shelf. The ceiling height bookshelf can create structural interest and provide a focal point in a room. It also injects warmth and vitality and adds colors to the room scheme’s muted palette.
Book storage can assume may forms, from architectural shelving to simple do-it-yourself unit. Depending on the size of your collection, you can line one wall or an entire room with books to create an interesting backdrop.



Camouflage with mirrors


When you want to make a small space seem larger, brighten a windowless corner, or perform a bit of visual legerdemain, consider making use of mirrors. Mirrors can be install directly on walls or as cabinet doors can create design pizzazz. It is fund and functional. Since mirrors reflect light and it is energy saving option.


6/06/2008

Important points on using patterned curtain fabrics


When choosing patterned curtain fabrics always consider the size of the design in relation to the length of the curtains. Full-length curtains take to large-scale patterns more happily than would sill length curtains. There is however, a simple rule regarding large designs that can be relied upon to be aesthetically correct in almost every case. There should be no less than four designs repeats and not more than seven in each length of curtain, Keep to this rule and you won't go wrong. With small scale design repeats this rule does not apply. It is also good planning to have a complete design repeat at the bottom of the curtain. This may result in having cropped-off motifs at the top, but this does not matter very much because the design is usually lost in a pleated heading or hidden by a pelmet and won't be so noticeable here.



About Stripes and Checks


Evenly spaced stripes and checks pose no problems, but if the design consists of varying widths and colors, more care is needed to see that they join up correctly. Such patterns have "direction" and are described as "one-way" or "two-way" designs. The direction of "one-way" stripes can be "read" by following the sequence of their different width and color graduations, both vertically from left to right and horizontally from top to bottom. With a "two-way" stripe the direction has a central starting point. With horizontal "two-way" stripes the sequence runs from the center to the top and bottom of each repeat and vertical ones it runs outwards to the left and right selvedges. In both cases there is often a break between repeats. When joining "one-way" panels see that they are all running the same way up, as this maintains continuity of design. It only takes one panel placed upside down to ruin the sequence of the stripes or checks. However with some one-way stripes or it is often more interesting to make one set of a pair of curtain upside down so that when they are hung as a pair, the stripes will converge to the center in a matched sequence, thus creating a central focal point.



About "set" and "drop" patterns, striped floral and matching patterns

A Set Pattern has main motifs that recur at set intervals across the width and along the length of the fabric. Cut each succeeding panel by placing the first cut length over the fabric to match exactly the design underneath.


A Drop Pattern has main motifs recurring at regular intervals along the length of the fabric but at staggered levels throughout its width. When cutting several panels for a pair of curtains, the first two cuts will differ from each other, then each succeeding panel will be cut alternately to match each of the first two panels. If six panels are to be cut, three of them will be cut from one point and the other three from a second. When each panel is joined alternately to another the design will flow continuously with the motifs running diagonally across the fabric, as they are meant to do.


About Striped Florals


Striped floral prints or weaves can have pattern direction as well as a "set" or "drop" pattern repeat. Treat them as outlined above.


About Matching Patterns


This must be done perfectly at all seams of patterned fabrics, so that the design will flow in a continuous line across the item you are making whether it is a bedspread or a pair of curtains. Extra fabric is always needed for pattern matching, even though this often results in unavoidable wastage. Buy sufficient material to allow one extra pattern repeat per curtain panel.

How to mix and match with patterns


Today's colorful fabrics and wall coverings offer a wealth of possibilities for introducing pattern into a room. Although one well-chosen pattern can make a significant design statement, interplay of patterns can produce an effect that is even more striking.


Pattern is always impressive and its ability to impress comes from a variety of qualities – each of value to a designer. Pattern can be spectacular in bold colors or an oversized design; it can be subtle, yet still quite impressive when repeated in various areas of room.


If you want to establish a particular mood, wallpaper patterns can make all the difference. Mini-prints, calicos, and lively little ginghams impart a country feeling; bold graphic, geometric, and large-scale stripes complement clean lined, contemporary design.


Finding a common color theme is one of the best ways to tie two or more patterns together. If you are working with several prints in the same room, start by selecting the predominant pattern, the one with largest scale or boldest color. You are practically assured of a successful scheme if you follow these simple guidelines:


1. Use the dominant color in the fabric chosen for the largest areas in the room – the wall or ceiling – and underscore that color in the floor treatment.

2. The second-brightest shade can be used for large, upholstered pieces, as well as for the window treatment, without overwhelming the eye. It is also a good idea to repeat a bit of this color in the floor covering.

3. The sharpest color in the fabric becomes an accent color in the room. Use it sparingly in art and accessories.

4. Never give two or more colors equal importance in a room; give one dominance, and let the other play counterpoint.

5. Never use a color just once; if your bring in a yellow throw pillow, add corresponding yellow touches elsewhere in the room.


Besides colors, you should also consider the scale of your pattern. In general, strong patterns work best when given top billing. A large-scale floral will work well with a medium-scale geometric pattern and a mini-print. Small-scale patterns can add punch to a room without vying for attention from the dominant patterns because they often appear to be solid colors when viewed from a distance.


If you are still in a quandary over how to mix and match patterns, a convenient solution is to use pattern collections from the same supplier. You can select from as many as five or six patterns, all designed to blend compatibly. These products are usually categorized by color. You simply decide on the primary color, then choose from a selection of patterns that share those hues, you will find that these collections include a broad range of color-coordinated products; wall coverings, fabrics, bed linens, bath accessories, paint, paper ware, ceramic tile, lampshades, comforters and window shades. These collections not only take the guesswork out of mixing and matching patterns, they also can offer inspiration for a fresh new color scheme.

Today's collections range from contemporary to traditional in style and are available in a variety of price range. You may be familiar with brand name collections; the full access of internet search for international flavor has become evident. If you are looking for mix and match from different suppliers on the internet, you should give allowance to actual color to screen color of the actual item. Monitor setting can vary greatly. Same color name from different merchants can differ a great deal in real. Download product pictures from web pages to compare and play around the patterns and colors.

Finding the best bedspreads

An attractive bedspread can be the magic ingredient used to give character to a bedroom. The whole mood of the room can be enhanced or ruined by your choice of bedspread. Both the fabric choice and the bedspread style should suit the décor of the room. There are many different types of beds; all demand their own special style of spread.


Choose fabrics with some weight and body. Spreads should not be so light that they slip off the bed or are troublesome to handle. A bedspread should be thick and heavy enough to hold its place on the bed without wrinkles or slipping about. If the fabric is light such as lace, gingham or chintz, it should be lined to give it more body. Choose a fabric that can be cleaned easily; if you intend to have a washable spread make sure that the fabric and lining are pre-shrunk.


Bedspreads look best when made full length to the floor. A spread that hangs mid way between mattress and floor, showing empty space under the bed is never attractive and will always annoy the onlooker by its air of untidiness. It looks as mournful and depressing as a flag at half-mast. A short coverlet should be teamed with a separate skirt such as that in a two-piece style. This skirt is known as the dust ruffle. Full length spreads and dust ruffles should fall to within 1 cm of the floor; corners on simple throwovers should be curved. These last two points saver wear and tear and keep spreads clean for a longer time than if they are allowed to come in contact with the floor.
Some beds demand more in the designing and construction of spreads than others. Beds with open footboards and corner posts need covers with splits in the corners to accommodate these features; beds without these features have covers which hang simply to the floor. Bed with paneled footboards, which reach almost to the floor need covers that reach to the floor from the sides only, and just long enough at the foot to tuck under the mattress.


The many variations of bedspread styles, whether tailored or frivolous, all stem from the same three basic styles:

The Simple Throwover


This is unfitted and made to cover all three sides of the bed. It can reach to the floor as a complete over or be the top part of a Two-piece Style.


The Fitted Spread


This is a more tailored style. It has a center section that fits the flat expanse of the bed exactly, with side and foot overhangs attached to it, falling to the floor. This skirt or overhang is joined or pleated at the corners giving it is a tailored fitted look. A shorter version of this style used with a dust ruffle becomes a Fitted Two-piece Style.


The Two-piece spread


This style has a top cover, which can be made as a Simple Throwover or as a Fitted Spread teamed with a dust ruffle. The dust ruffle is a skirt attached to a piece of calico or some other strong inexpensive fabric, which fits over the base of the bed under the mattress concealing the base completely. This is a most practical way of dressing a bed; when the top is removed the bed still looks neat and attractive. The dust ruffle may be a gathered or pleated flounce or perfectly plain and simple falling straight to the floor. The top cover should long enough to just cover the top of the dust ruffle.



Measurements needed for buying the right size bedspread

Measurements should be taken over a full made-up bed with all its usual bedclothes on, including pillow if the spread as intended to cover them. Pillows are left off if you intend to have a bolster at the head of the bed.

- Length from head to foot
- Width from side to side
- Side overhanging, from top edge to floor
- Foot overhanging, from foot edge to floor
- Depth of mattress
- Depth of base, from top edge of base floor